![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieGejddTDnLMAZ6_8WIRN3TTX2EFDtZtck4FkI2hREbEB7cEVT1VHBybwMndSJ6WM87jgX9qg4UvoKIaU6KMCvn_OXvLmlGdFTWxaHXWl_HHY2yJQ_499t0En1hUPz1719hmv6GVAzUYcz/s400/002.jpg)
I don't know why, but I have always enjoyed looking at Edward Ardizzone's illustrations. Even when I was a wee tot, in the basement children's section of the Lawrence (KS) Public Library (before it got flooded in the 1970s and they built the new (now old) library), I would check out and re-check out his LITTLE TIM books.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv3BpIFAncs75ZLnyrSfzydKk-oM46UBNaLlU7y2akcQiwrT0ypj4iM7bYGC9BpoZS8DNviTURErlMyIsb1rOAaUc44WnpAgOof15h8xXuSZcu66-Xm4kIup6naMEKb3MuIaNKXQcykiKZ/s400/003.jpg)
I remember trying to figure out why I liked the drawings. Even though I was a little kid, I was still interested in what it was that made drawings "good." Maybe it was the easy, flowing ink line. Maybe it was his choice of colors. I had no idea that Ardizzone had been commissioned to paint a watercolor of the Queen's coronation or that, before that, he was Official War Artist during WWII. (During the years of the Blitz, he was once arrested as a suspected "enemy spy" by the Home Guard when caught sketching in the East End.)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbn7riRa0AYGpTJa0dlpQCmCyazCIbe0TM0plY4ZLGWOGYHhoi77-bmPkA_D92HzzcZTAAfow3Iq7lnCIuddJ6Cbw8kuKEHHT_U3Vg4nB8a4-hzw13hFfeCqJ2MYgUTsrMFw420XyGRrZS/s400/004.jpg)
In SKETCHES FOR FRIENDS, which was published in 2002, I learned that he was also a letter writer, and he adorned those letters with ink and, sometimes, watercolor.
The 2 letters above are to his granddaughter Susannah, lovingly preserved since the mid-1950s.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG7cU_AMoRSly6sxF5PuQxi8ORvXXF4DkxvO3KUFclReFtyMkeHlUtjEJmbOzYoa1bcGhmPh1qIcQQFnnJEQ7Xeoi4ShRe-qRffFUgz2RX0y421lSu1rtMaRpMboO6Btydw6qreZ8mKexA/s400/005.jpg)
I now look at the letters like I did as a kid. There are the same lush watercolors and the inky characters, always in motion.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVtTx9k0QEUWLnIepE85sU8orWI8ddlSfDRdgAKmgOsttgQAaW49ZZrt4vyA40NyFjK7WqInNSocdH1umbrFdNGOL9ATS3x9-fbMcQP-9Vz9JyiWqbxT-WhGH2SxFB8GiEPWT731nbLkP5/s400/006.jpg)
You can feel the weight in his drawings. His large caricature of himself leans a bit to the right, like a large vessel listing; while the doctor stands like a cheery martinet, tilting his head, while saying, "I pronounce you cured[.]"
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC9-UxS-pnuDnVVNYHcOYFCQv9KcLFMedwP2saOb_Vo26GQeCSiwVuAS8L_5351ibhPFo5T7BcKbhVFAPBKHAbSjdCmwFfAb2zS1j4ZNa7QMrqtjblkg91safzpct25Ko-2YtOxmqzkIeP/s400/Untitled-Scanned-04.jpg)
The Gentleman's Lavatory, drawn in gray and yellow tones. So much action in this one! And the look on the faces -- from quietly desperate to becalmed.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyx4kKuFKbPodj4z-XS67aNZpjXVIs-Vsl0QEaETlZbRpzHYTA3cYHuHBQSc5Soedn9mDDgHni5ynG484j6zLPQ3Gpqf7EaNdoDeJtGXXdmSDrh3M3oS7K0BBdBDyYqsV5grrxHIy28_bD/s400/Untitled-Scanned-05.jpg)
Above from a 1973 letter. What a wonderful thank you note!
I urge you to seek out this book. All these years later, I still love to linger over his drawings.
Related: His MY UNCLE SILAS drawings.
0 Response to "SKETCHES FOR FRIENDS Edward Ardizzone"
Post a Comment